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Santiago de la Marche (1394-1476) and two donors kneeling (sometimes mistakenly says St
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Santiago de la Marche (1394-1476) and two donors kneeling (sometimes mistakenly says St
JLJ4579930 Santiago de la Marche (1394-1476) and two donors kneeling (sometimes mistakenly says St. Bernardino of Siena). Painting by Carlo Crivelli (1435-1495), 15th century. Oil on wood. Dim. 1, 98x0, 64m. Paris, Louvre Museum by Crivelli, Carlo (c.1430/35-1495); Louvre, Paris, France; (add.info.: Santiago de la Marche (1394-1476) and two donors kneeling (sometimes mistakenly says St. Bernardino of Siena). Painting by Carlo Crivelli (1435-1495), 15th century. Oil on wood. Dim. 1, 98x0, 64m. Paris, Louvre Museum); Photo ePhoto Josse; Italian, out of copyright
Media ID 22288808
© Josse / Bridgeman Images
Mecenate Mecene Patron Quattrocento
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EDITORS COMMENTS
This print showcases a masterpiece by Carlo Crivelli, a renowned Italian artist of the 15th century. The painting depicts Santiago de la Marche (1394-1476), accompanied by two donors kneeling in reverence. Interestingly, there is sometimes confusion regarding one of the donors, mistakenly identified as St. Bernardino of Siena. Carlo Crivelli's attention to detail and skillful use of oil on wood bring this artwork to life. The dimensions of this piece are 1.98x0.64 meters, making it an impressive sight to behold. Currently housed in the Louvre Museum in Paris, France, this painting holds immense historical and artistic significance. It represents a pivotal period during the Renaissance when art flourished and patronage played a crucial role in supporting artists like Crivelli. The composition exudes religious devotion with its portrayal of Santiago de la Marche and his devout followers humbly kneeling before him or St. Bernardino - depending on interpretation. This work beautifully captures the essence of faith and spirituality that was prevalent during the Middle Ages. As we gaze upon this remarkable photograph print from Fine Art Finder, we are transported back in time to experience firsthand the mastery and beauty that Carlo Crivelli brought forth through his brushstrokes centuries ago.
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