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Cover of "Le Sans-Panlotte", number 4, Satirique en Colours

Cover of 'Le Sans-Panlotte', number 4, Satirique en Colours


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Cover of "Le Sans-Panlotte", number 4, Satirique en Colours

ICA4868428 Cover of " Le Sans-Panlotte", number 4, Satirique en Colours, 1878_10_21: La hen au pot - Republican, Expressions - Henri V Tale de Chambord - Illustration by Alfred Le Petitty (1841-1909) by Le Petit, Alfred (1841-1909); (add.info.: Cover of " Le Sans-Panlotte", number 4, Satirique en Colours, 1878_10_21: La hen au pot - Republican, Expressions - Henri V Tale de Chambord - Illustration by Alfred Le Petitty (1841-1909)); Photo eCaricadoc; French, out of copyright

Media ID 23733438

© Caricadoc / Bridgeman Images

Animalization Kitchen Le Petit Alfred 1841 1909 A Journal Caricadoc Journalism Newspapers


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EDITORS COMMENTS
This print showcases the cover of "Le Sans-Panlotte", number 4, Satirique en Colours from 1878. The artwork, created by Alfred Le Petitty, depicts a satirical illustration titled "La hen au pot - Republican Expressions - Henri V Tale de Chambord". The image captures a moment in history when political satire was at its peak. With intricate detail and vibrant colors, Le Petitty skillfully portrays the political climate of France during the late 19th century. The caricatured figures represent key players in French politics at that time. The central focus of the illustration is on a chef carving a hen while surrounded by various symbols and motifs associated with power and authority. This cleverly highlights the theme of animalization within politics, as well as commenting on societal issues prevalent during this era. As we delve into this piece further, we can appreciate not only Le Petitty's artistic talent but also his ability to convey complex ideas through visual storytelling. This print serves as both an aesthetic delight and an insightful historical artifact. Preserved for generations to come, this artwork offers us a glimpse into the world of 19th-century journalism and engraving techniques. It stands as a testament to the enduring power of art to capture moments in time and provoke thought-provoking discussions about society and politics.

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