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Plate 374. Blacksmiths, Two Models, Hammering on Anvil, 1872-85 (collotype on paper)
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Plate 374. Blacksmiths, Two Models, Hammering on Anvil, 1872-85 (collotype on paper)
3950346 Plate 374. Blacksmiths, Two Models, Hammering on Anvil, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.5x31.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume V, Men (Pelvis Cloth)); eAddison Gallery of American Art; gift of the Edwin J. Beinecke Trust; English, out of copyright
Media ID 22986710
© Addison Gallery of American Art gift of the Edwin J. Beinecke Trust / Bridgeman Images
Animal Locomotion Anvil Blacksmith Block Early Motion Picture Sequence Frames Hammer Hammering Implements Loincloth Males Mallet Metalsmith Motion Pelvis Cloth Semi Naked Sequence Sequential Stop Motion B W Photo Black And White Photograph
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This photograph, titled "Plate 374. Blacksmiths, Two Models, Hammering on Anvil" captures a moment frozen in time from the late 19th century. Taken by renowned photographer Eadweard Muybridge between 1872 and 1885, this collotype print showcases his groundbreaking work in capturing motion through sequential photography. The image features two muscular male models engaged in the age-old craft of blacksmithing. With hammers raised high above their heads, they strike the anvil with precision and strength. The intensity of their actions is palpable as sparks fly around them, illuminating the scene. Muybridge's meticulous attention to detail is evident in every frame of this early motion picture sequence. Each movement is carefully documented, providing valuable scientific insight into human locomotion during that era. While nudity may surprise modern viewers accustomed to more modest depictions of laborers, it reflects the historical context of Muybridge's study. The men wear only loincloths or pelvis cloths commonly worn by blacksmiths for practical reasons. This photograph not only serves as a testament to Muybridge's technical expertise but also highlights the beauty found within everyday tasks performed by skilled craftsmen. It stands as a remarkable example of how art can capture both scientific exploration and aesthetic appreciation simultaneously. Displayed at the Addison Gallery of American Art at Phillips Academy in Andover, MA, this print continues to inspire viewers with its dynamic composition and timeless depiction of
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