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Lord Weardale, A cynical radical, 25 July 1906, Vanity Fair cartoon (colour litho)

Lord Weardale, A cynical radical, 25 July 1906, Vanity Fair cartoon (colour litho)


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Lord Weardale, A cynical radical, 25 July 1906, Vanity Fair cartoon (colour litho)

611663 Lord Weardale, A cynical radical, 25 July 1906, Vanity Fair cartoon (colour litho) by Ward, Leslie Matthew (Spy) (1851-1922); Private Collection; (add.info.: Lord Weardale, A cynical radical, 25 July 1906, Vanity Fair cartoon); Look and Learn / Peter Jackson Collection

Media ID 22934104

© Look and Learn / Peter Jackson Collection / Bridgeman Images

Cynical Radical Vanity Fair


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EDITORS COMMENTS
In this print, we are transported back to the year 1906, where Lord Weardale takes center stage as a cynical radical. Created by Leslie Matthew Ward, also known as Spy, for Vanity Fair magazine, this color lithograph is a true gem of satirical art. Lord Weardale's caricature is masterfully depicted with sharp lines and exaggerated features that perfectly capture his essence. His piercing eyes seem to hold a hint of skepticism while his raised eyebrow adds an air of cynicism to his character. The artist's attention to detail is evident in every stroke, from the intricate folds of Lord Weardale's clothing to the subtle smirk playing on his lips. This satirical cartoon not only showcases Ward's artistic talent but also serves as a scathing satire on Lord Weardale himself. Through clever symbolism and witty commentary, it offers viewers a glimpse into the political climate of its time. As we admire this historical piece of artwork now housed in a private collection, we can't help but wonder about the impact that Lord Weardale had during those tumultuous years. This print invites us to reflect upon our own society and question whether cynicism can be an effective tool for change or merely an obstacle towards progress. With its vibrant colors and thought-provoking subject matter, this Vanity Fair cartoon continues to captivate audiences even over a century later. It stands as a testament to the power of art in capturing both history and human nature itself.

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