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Shah Isma il Holding the First Private Audience After his Accession in Tabriz, c
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Shah Isma il Holding the First Private Audience After his Accession in Tabriz, c
1196778 Shah Isma il Holding the First Private Audience After his Accession in Tabriz, c.1590-1600 (gouache on paper) by Persian School, (16th century); 28x15.2 cm; Private Collection; Photo eChristies Images; Persian, out of copyright
Media ID 23304976
© Christie's Images / Bridgeman Images
1590 1590s 1600 1600s Accession Audience Conversing Discourse Discuss Discussing Discussion Early Seventeenth Century Elevated Elevated View Gouache Illuminated Manuscript Indian Ethnicity Islamic Art Large Group Late Sixteenth Century Men Only Mounted On Paper On Paper Page Privacy Private Tabriz Talking Using Voice Young Man Young Men Apparel Conversation Ethnic Origin Headwear
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EDITORS COMMENTS
This print titled "Shah Isma'il Holding the First Private Audience After his Accession in Tabriz" transports us back to the early 17th century Persia. The image, created by the Persian School in the late 16th century, showcases a religious and outdoor setting where men gather for an exclusive discourse. The scene unfolds with Shah Isma'il, adorned in vibrant apparel and headwear, seated at an elevated position surrounded by a large group of men. As they engage in conversation, their animated gestures suggest a lively discussion taking place. The presence of books scattered around indicates that knowledge and intellectual exchange are highly valued during this time. The composition is filled with rich colors and intricate details found within illuminated manuscripts from Asian ethnicity traditions. The young men dressed in traditional attire add to the cultural authenticity portrayed in this artwork. The artist's skillful use of gouache on paper brings depth and texture to every leaf depicted outdoors. This adds to the sense of privacy as Shah Isma'il holds his first private audience after ascending to power. Overall, this piece offers a glimpse into Islamic art during the late sixteenth century while capturing both historical significance and artistic beauty. It serves as a testament to the importance placed on scholarly discussions and intellectual growth within Persian society at that time.
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