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A Present for a Papist, or the Life and Death of Pope Joan, 1675 (engraving)
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A Present for a Papist, or the Life and Death of Pope Joan, 1675 (engraving)
XJF135362 A Present for a Papist, or the Life and Death of Pope Joan, 1675 (engraving) by English School, (17th century); Private Collection; (add.info.: According to a legend first noticed in medieval European chronicles of the 13th century, Pope Joan was a female pope who reigned as Pope c.1100 and gave birth to a son while out riding on horseback; the story is now considered fictitious; this illustration forms part of an English 17th century anti-Catholic propaganda pamphlet published in London and describing Rome as The Whore of Babylon ;
); English, out of copyright
Media ID 12722725
© www.bridgemanart.com
Anti Catholic Babylon Birth Cardinal Cardinals Legendary Papal Propaganda Protestant Whore
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EDITORS COMMENTS
The engraving "A Present for a Papist, or the Life and Death of Pope Joan" is a powerful representation of 17th-century anti-Catholic propaganda. The image depicts a procession led by the papal figure, surrounded by cardinals and other religious figures. This artwork is part of an English pamphlet published in London that portrays Rome as "The Whore of Babylon" reflecting the deep-seated religious hatred prevalent during this time. According to medieval European chronicles, Pope Joan was believed to be a female pope who reigned around 1100 AD and gave birth to a son while riding on horseback. However, this legend is now widely regarded as fictitious. Nevertheless, it served as fuel for Protestant propaganda against Catholicism during the 17th century. This engraving captures the essence of this anti-papal sentiment with its vivid imagery and symbolism. It aims to denounce Catholicism by portraying it as corrupt and immoral through references to biblical concepts such as "The Whore of Babylon". The inclusion of the child emphasizes the scandalous nature attributed to Pope Joan's alleged pregnancy. Despite its historical inaccuracies, this artwork sheds light on an era marked by religious conflict and intolerance. It serves as a reminder of how art has been used throughout history not only for aesthetic purposes but also as a tool for political commentary and social critique.
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