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Cross Readings, c1830. Artist: ES Hall

Cross Readings, c1830. Artist: ES Hall


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Cross Readings, c1830. Artist: ES Hall

Cross Readings, c1830; 45 posters in humourous juxtaposition on a fence; at the top of the fence on the right is a notice Bill Stickers Beware, and a cannon trained downwards to deter would be bill posters; a satire on indiscriminate fly-posting

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Media ID 15171412

© London Metropolitan Archives (City of London) / Heritage-Images

Advert Advertisement Anon Anon Anonymous Armaments Cannon Guildhall Library Art Gallery Hall Media Industry Warning Beware


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Cross Readings, c1830

EDITORS COMMENTS
is a captivating lithograph by ES Hall that offers a glimpse into the vibrant world of 19th-century advertising. This whimsical artwork showcases the bustling media industry of its time, with 45 posters playfully juxtaposed on a fence. Each poster represents various advertisements and promotions, creating an intriguing collage of color and concept. At the top right corner of the fence, we notice a notice that reads "Bill Stickers Beware" accompanied by a downward-facing cannon aimed to deter potential bill posters. This clever satire serves as a warning against indiscriminate fly-posting, highlighting the tensions between advertisers and those responsible for maintaining order in public spaces. The artist's keen eye for detail is evident in this piece as he captures both the energy and chaos associated with advertising during this era. The diverse range of industries represented within these posters reflects the rapid growth and industrialization taking place at that time. Displayed at Guildhall Library and Art Gallery, "Cross Readings, c1830" not only provides historical insights but also entertains viewers with its humorous composition. It invites us to ponder upon how advertising has evolved over centuries while reminding us of society's constant struggle to balance commercial interests with preserving public spaces. This print is an invaluable artifact from our past—a testament to both artistic skill and social commentary—offering us glimpses into an era when billposting was both an art form and source of contention.

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