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The Lady with the Rose, 1897. Creator: Aubrey Beardsley

The Lady with the Rose, 1897. Creator: Aubrey Beardsley


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The Lady with the Rose, 1897. Creator: Aubrey Beardsley

The Lady with the Rose, 1897. Included in the Mademoiselle de Maupin Portfolio but possibly not intended as an illustration. " Mademoiselle de Maupin" was a novel by Theophile Gautier. Published in " The Best of Beardsley" edited by R. A. Walker, [The Bodley Head, London, 1948]

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Media ID 24364818

© Shirley Markham Collection/Heritage Images

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> Arts > Art Movements > Art Nouveau

> Arts > Art Movements > Baroque

> Arts > Artists > B > Aubrey Beardsley

> Arts > Literature > Illustration

> Arts > Literature

> Europe > United Kingdom > England > London > Towns > Shirley


The Lady with the Rose, 1897

EDITORS COMMENTS
is a captivating print created by Aubrey Beardsley during the art nouveau movement of the 19th century. This particular artwork was included in the Mademoiselle de Maupin Portfolio, although it may not have been intended as an illustration for the novel by Theophile Gautier. In this striking image, a woman dressed in decadent clothing stands elegantly holding a single rose. Her dress features ruched details and her decolletage is adorned with a delicate necklace. A hat adds to her sophisticated allure, while candlesticks in the background create an atmospheric ambiance. Beardsley's graphic design skills are evident in his meticulous attention to detail, particularly in rendering nature through intricate floral patterns. The contrast between light and dark emphasizes both the woman's beauty and mysterious aura. This print showcases Beardsley's ability to capture femininity and elegance through his unique artistic style. It transports viewers back to a time when literature and art were intricately intertwined, inviting us to explore not only visual aesthetics but also literary narratives. "The Lady with the Rose" remains an enduring example of Beardsley's contribution to British art history. Its inclusion in "The Best of Beardsley" edited by R. A Walker, further solidifies its significance within publishing houses dedicated to preserving artistic masterpieces from that era.

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