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Portrait of Nushirwan the Just (verso) from a Shahnama... of Firdausi (940-1019 or 1025), 1330-1335
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Portrait of Nushirwan the Just (verso) from a Shahnama... of Firdausi (940-1019 or 1025), 1330-1335
Portrait of Nushirwan the Just (verso) from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025), 1330-1335. Mongol interest in illustrating manuscripts focused on Iranian epic poetry. The Shahnama (Book of Kings), a compilation of the epics and tales of Irans legendary heroes, was a natural choice because it included subjects that suited Mongol taste, such as banquets, battles, hunting, and magical or fantastic events. This large formal enthronement portrays the Sasanian king of Iran, Khusraw I Anushirwan (531-579), descendant of Bahram Gur. The inscription above the kings head reads, " Picture of Nushirwan the Just." Nushirwan held seven banquets, this being the fifth, to celebrate the explanation of a troublesome dream by Buzurgmihr, the wise and virtuous minister who is probably portrayed wearing the elaborate turban on the left
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Media ID 19638334
© Heritage Art/Heritage Images
Ilkhanid Iran Mongol Opaque Watercolour And Gold On Paper Tabriz
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EDITORS COMMENTS
This print showcases a stunning artwork titled "Portrait of Nushirwan the Just (verso) from a Shahnama (Book of Kings) of Firdausi". Created between 1330-1335, during the Ilkhanid period in Iran, this piece exemplifies the Mongol interest in illustrating manuscripts that focused on Iranian epic poetry. The Shahnama, known as the Book of Kings, was an ideal choice for Mongol artists due to its depiction of banquets, battles, hunting scenes, and magical events - all subjects that appealed to their taste. This particular artwork portrays Khusraw I Anushirwan, a Sasanian king who reigned from 531-579 AD and was renowned for his just rule. The inscription above his head identifies him as "Nushirwan the Just". Intricate details and vibrant colors bring this painting to life. The artist skillfully captures Nushirwan's formal enthronement scene with meticulous attention to detail. Notably depicted is Buzurgmihr, a wise and virtuous minister who played a significant role in explaining one of Nushirwan's troublesome dreams. Crafted using opaque watercolor and gold on paper in Tabriz style, this masterpiece reflects the rich artistic heritage of Iran during the 14th century. Preserved by The Cleveland Museum of Art, this print allows us to appreciate both the beauty and historical significance encapsulated within Iranian artistry under Mongol patronage.
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