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The Well, from Carceri d invenzione (Imaginary Prisons), ca. 1749-50

The Well, from Carceri d invenzione (Imaginary Prisons), ca. 1749-50


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The Well, from Carceri d invenzione (Imaginary Prisons), ca. 1749-50

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Media ID 20568601

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Bouchard Bouchard Giovanni Carceri Dinvenzione Dark Giovanni Giovanni Battista Giovanni Battista Piranesi Giovanni Bouchard Imaginary Prisons Metropolitan Piranesi Piranesi Giovanni Battista Prison Prison Bars Pulley Steps Underground Water Well


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> Architecture > Country > Italy > Related Images

> Architecture > Country > Italy > Rome

> Architecture > Styles > Roman Architecture

> Arts > Artists > P > Giovanni Battista Piranesi

> Arts > Artists > R > Roman Roman

> Europe > Italy > Lazio > Rome


EDITORS COMMENTS
This print showcases "The Well" from Giovanni Battista Piranesi's renowned series, Carceri d'invenzione (Imaginary Prisons), created in the late 18th century. The image transports us to a dark and mysterious underground prison in Rome, where we witness the intricate architecture and haunting atmosphere of this imaginary world. In the center of the composition stands a man, his figure silhouetted against a window that reveals only darkness beyond. He gazes down at an ancient well, its stone walls adorned with Roman engravings. A pulley system hangs above it, hinting at past attempts to draw water from its depths. Surrounding the well are imposing prison bars that seem to confine both space and time. In the background, other figures can be seen navigating their way through this labyrinthine environment, adding an eerie sense of movement within stillness. Piranesi's masterful etching technique brings every detail to life - from the worn steps leading into darkness to the play of light and shadow on each surface. This print is not just a visual representation but also an exploration of human emotions evoked by confinement and isolation. "The Well" invites viewers to contemplate themes such as crime, law, imprisonment, and our collective fascination with hidden worlds. It serves as a reminder of Piranesi's genius in capturing architectural grandeur while simultaneously delving into psychological depths.

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