Pink and white camellia, Miyakomeguri, Thea
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Pink and white camellia, Miyakomeguri, Thea
Pink and white camellia, Miyakomeguri, Thea japonica Nois. flore semipleno foma.. Color-printed woodblock engraving by Kan en Iwasaki from Honzo Zufu, an Illustrated Guide to Medicinal Plants, 1884. Iwasaki (1786-1842) was a Japanese botanist, entomologist and zoologist. He was one of the first Japanese botanists to incorporate western knowledge into his studies
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Media ID 14214038
© Florilegius / Mary Evans
Camellia Flore Forma Guide Honzo Iwasaki Japonica Kanen Medicinal Nois Semipleno Thea Woodblock Zufu
EDITORS COMMENTS
This exquisite color-printed woodblock engraving showcases the enchanting beauty of Pink and White Camellia, Miyakomeguri, or Thea japonica Nois. flore semipleno forma, as depicted by the renowned Japanese botanist, entomologist, and zoologist, Kan en Iwasaki. The image is taken from Honzo Zufu, an Illustrated Guide to Medicinal Plants, published in 1884. Iwasaki was a pioneer in incorporating western knowledge into his studies, making him one of the first Japanese botanists to bridge the gap between traditional Japanese botanical practices and the modern scientific methods of the West. The Pink and White Camellia, a native of Japan, is a popular ornamental plant known for its stunning, double-layered blooms. The flowers, as depicted in this engraving, display an enchanting blend of pink and white petals, surrounded by lush green leaves. The intricate details of the petals and veins are expertly captured through the woodblock printing technique, which was a popular method for producing high-quality botanical illustrations during the Edo period. Iwasaki's meticulous attention to detail and commitment to accurate representation are evident in this print. The botanical name, Thea japonica Nois. flore semipleno forma, provides a clear identification of the plant species, with "Nois" referring to the French botanist, Pierre Joseph Amédée de Noisette, who first described the Camellia japonica in 1824. This print serves as a testament to Iwasaki's dedication to documenting the natural world and his role in the rich history of Japanese botanical studies.
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