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German Renaissance ceiling and wall painting, (1898). Creator: Unknown
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German Renaissance ceiling and wall painting, (1898). Creator: Unknown
German Renaissance ceiling and wall painting, (1898). Fig 1: Spandril on wall compartments. Fig 2: Panel in a window flanning. Figs 3 and 4: Decorations of columns. Fig 5: Decoration on the window parapets. Figs 6 and 7: Middle and corner pieces at the friezes bordering the wall compartments. Figs 8-11: Decoration on the ceiling beams with relief wood rosettes and knos [knots?]. Fig 12: Wooden hood moulding. The whole from the golden hall at Urach [Urach Residential Palace, Bad Urach, Baden-Wurttemberg]. The Golden Hall was designed for the wedding of Duke Eberhard im Bart to Italian princess Barbara Gonzaga of Mantua in 1474. It was lavishly redecorated in the 17th century. Plate 78 from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
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Media ID 19780371
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B T Batsford Batsford Bt Batsford Ceiling Chromolithograph Dolmetsch E Hochdanz H Dolmetsch Hall Heinrich Heinrich Dolmetsch Historic Styles Of Ornament Hochd Hochdanz Mural Ornate Palm Tree Palm Trees Stylised Symmetrical Symmetry Wall Painting
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EDITORS COMMENTS
This print showcases the exquisite German Renaissance ceiling and wall painting from 1898. The creator of this masterpiece remains unknown, adding an air of mystery to its allure. The image is divided into twelve figures, each highlighting different elements of the ornate decoration found in the Golden Hall at Urach Residential Palace. Figures one and two draw attention to the intricate spandril on wall compartments and panel in a window flanking respectively. Figures three and four showcase the stunning decorations adorning columns, while figure five focuses on the delicate embellishments on window parapets. Moving upwards, figures six and seven display middle and corner pieces bordering the friezes surrounding wall compartments. The eye-catching ceiling beams take center stage in figures eight through eleven, featuring relief wood rosettes and knots that add depth to their design. Figure twelve highlights a wooden hood moulding with remarkable craftsmanship. Originally designed for Duke Eberhard im Bart's wedding to Princess Barbara Gonzaga of Mantua in 1474, the Golden Hall underwent lavish redecoration during the seventeenth century. This photograph captures its resplendent beauty frozen in time. Plate 78 from "The Historic Styles of Ornament" by H. Dolmetsch serves as a testament to Germany's rich artistic heritage. With its symmetrical floral patterns, stylized motifs, and vibrant colors, this German Renaissance masterpiece exemplifies both architectural excellence and interior decoration prowess. This lithograph reproduction preserves every detail with precision underlining its historical significance for art enthusiasts worldwide.
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