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Bishamonten, Kamakura Period (wood, metal, gold leaf & pigment)
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Bishamonten, Kamakura Period (wood, metal, gold leaf & pigment)
1150084 Bishamonten, Kamakura Period (wood, metal, gold leaf & pigment) by Japanese School (12th century); 58.4x24.1x20.3 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: Vaioravaauca (Sanskrit aaaaaoaaoaacaa'aaaaa£ ) or Vessavaauca (Puli aaaaacaaaacaaaaaaa£, Sinhala a'a'oa'ua'acaona'ao') also known as NamtAosein Tibet and Bishamonten in Japan is the name of the chief of the Four Heavenly Kings and an important figure in Buddhism.); eMinneapolis Institute of Art; The John R. Van Derlip Fund; purchase from the collection of Elizabeth and Willard Clark; Japanese, out of copyright
Media ID 22819066
© Minneapolis Institute of Art The John R. Van Derlip Fund; purchase from the collection of Elizabeth and Willard Clark / Bridgeman Images
Buddhism Buddhist Chief Deities Heavenly Iconography Imperious Kamakura Period Regalia Bishamonten Heian Symbols
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EDITORS COMMENTS
This print showcases the exquisite artwork of "Bishamonten, Kamakura Period" by the Japanese School in the 12th century. The sculpture, made from wood, metal, gold leaf, and pigment, stands at an impressive size of 58.4x24.1x20.3 cm and is currently housed at the Minneapolis Institute of Arts in Minnesota, USA. Bishamonten, also known as Vaioravaauca or Vessavaauca in different cultures and languages, holds great significance in Buddhism as the chief of the Four Heavenly Kings. This iconic figure is beautifully depicted with intricate details on his armor and regalia. The sculpture's imperious stance exudes power and authority while its symbolic iconography represents religious beliefs and deities associated with Buddhism during that period. Bishamonten's headdress adds to his majestic presence as a revered king within Japanese culture. With its historical importance rooted in both Japan's Heian and Kamakura periods, this statue serves as a testament to the rich religious heritage of Japan. Its acquisition by The John R. Van Derlip Fund from Elizabeth and Willard Clark's collection further highlights its cultural value. Through this print captured by Bridgeman Images for Fine Art Finder, viewers can appreciate not only the craftsmanship but also delve into a deeper understanding of Buddhist symbolism intertwined with artistry from centuries ago.
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